Splashes from Hindu Mahasagar -- 6 - Fascinating Hindu History Splashes from Hindu Mahasagar -- 6 Facinating Hindu History Pagan religions all over the world have used icons or symbols to represent abstract and intangible objects. The fanciful gallery of mythological deities in Biblical stories, Arabian Nights, and The Canterbury Tales are collections of human imagination. Blowing of strong wind would normally be indicated through waving trees, flying of lighter objects and rising of dust. Similarly super human power of gods and goddesses has been suggested through four arms, heads, and other such embellishments. In this connection Hindu history has much more to offer to the world as a piece of art and literature. One of the most remarkable features of Hindu history is that unlike other faiths, it is not confined to any area and time, but historical characters have imprints left over the entire universe. There are several descriptions related to inter-planetary movements of not only of gods and goddesses, but also of sages and mortal beings. The gods, goddesses and many of the sages are timeless and ever lasting. They appear and disappear, are clad in glittering costumes, are powerful and resourceful to grant boons and can inflict destruction through curse as well. Every God possesses weapons to destroy the evil, as well as flowers to shower blessings. Hindus laid greater importance on the preservation of environment also. Animals and useful plants such as Peepal, Beil, Tulsi, and Banyan were associated with various gods and goddesses; to be loved, nurtured, and even worshiped. Sources of water, mountains and other elements of nature are also respected as gods and goddesses. Animals were also included in history thereby recognizing their right to co- exist with others. Even Pig and snakes, hated in other faiths find a respectable place in Hindu history, since no one is under rated. Many animals are associated with Gods as carriers. Some animals were given the status of Gods and goddesses to impress that Omnipresence of the Almighty. Every religion has drawn its own concept of heaven and hell that are comparable to the prevailing of the religion originated. Islamic Heaven is cool, shady and has plenty of water sources fruit grow and nymphs are on duty to serve the believers. There Hell is always burning hot with lot many apparatus of torture in motion to punish the non believers and worshipers of idols. On the contrary Biblical Heaven has Sun shine, and their hell is full of Ice. All the religions have placed heaven above and Hell below. The administration of heavenly sites is in the hands of Devas, Angles, Nymphs, Hoors and Apasras who are well versed in the art of dressing up, dancing and music. Like wise in Hinduism pious people reside in Swarga and sinners in Narka irresective of their being believers or non- believers. The only difference is that Narka residents have chances of relocating themselves in Swarga with good deeds done when they are reborn. Propagators of religion not believing in re-birth have no option of relocating even if they atoned later and desired to do some good. Though Hindus believe in one God, but view the same God in three different modes while in action and that is known as the Trinity of Supreme God: Brahm is the Creator God. He is traditionally depicted with four heads, faces and arms. Each head recites one of the four Vedas. The hands hold a water-pot used in creating life, a string of rosary beads used to keep track of the Universe's time, the text of the Vedas, and a lotus flower. He is the husband of goddess Saraswati. His mount is Hamsa (Swan). Brahm only occasionally interferes in the affairs of the gods, and even more rarely in mortal affairs. He is generally painted old, probably to signify that creativity, wisdom, and experience without resources and power is like an old and helpless person. Vishnu is known as preserver. He is usually depicted as a four-armed humanoid with blue skin, often sitting or resting on a lotus flower or relaxing on Sheshnag bed with Lakshami (goddess of wealth) in attendance, indicating a person possessing everything of ultimate luxury. His mount is Garuda. He is identified with his Avatars (Incarnations) to re-establish orderliness in the World. Shiv is the destroyer. Shiv is represented as immersed in deep meditation, on Mount Kailash. However, even though he represents destruction, he is viewed as a positive force, the Destroyer of Evil. His vahan (mount) is 'Nandi', the Bull. He is usually represented by the symbol of Shiv ling. His consort is 'Parvati', a goddess who comes in many different forms, one of whom is Kaali, the goddess of death. As Nataraj Shiv is the Lord of the Dance, and also symbolizes the dance of the Universe, with all its delicately balanced heavenly bodies and natural laws which complement and balance each other. He is also symbolized as doing his great dance of destruction, called Taandava signifying praleya -- the doom's day, implying total dissolution of the universe. All the three reflections are in fact one God performing three different functions of creation, preservation and finally destruction same way as a human can be son to the parents, husband to the wife, and parent of his children. All the three separate functions are performed by the same person but the person is viewed differently by his parents, wife and children. The concept of Trinity wraps in itself the 'Theory of division of power' that was propounded by Montesquieu of France, much later. Supreme God is personified into the Trinity of Brahm Vishnu and Shiv. While Brahm, Vishnu and Shiv function within their respective areas of creativity, preservation, and destruction respectively and do not trespass or interfere in to the field of each other's. They consult each other whenever there is any crisis in the universe. Thus 'Government of the Universe' reflects 'division of power' as well as 'interdependence' that Montesquieu preached to the political thinkers of the west in ninteenth century. Hindu supreme Gods are not confined to any geopgraphical place and period. They neither have any beginning or any ending. They are universal. Chand K Sharma End of forwarded message from Chand K Sharma Jai Maharaj, Jyotishi Om Shanti o Not for commercial use. Solely to be fairly used for the educational purposes of research and open discussion. The contents of this post may not have been authored by, and do not necessarily represent the opinion of the poster. 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